Good Girl, Bad Love

Drama · Thriller

Good Girl, Bad Love

“A preacher's daughter's journey into a dangerous world of jealousy and violence leads to a fatal moment that changes everything.”

11 EpisodesDramaThrillerCrimeIndoorBar

Episodes

Episode 1: Deadly_Women_S13E07B_epis01

0:43Intense, dramatic, suspensefulTV-14
Deadly_Women_S13E07B_epis01

This trailer for 'Good Girl, Bad Love' introduces a young woman, seemingly a preacher's daughter, who becomes entangled in a dark narrative involving jealousy, arguments, and violence. The story explores themes of love having a price and a single fatal moment altering the course of events. The visuals are moody and intense, featuring close-ups of emotional faces, a gun, and dramatic confrontations, all underscored by a suspenseful soundtrack and a narrator's ominous voice.

  • Explores the dark side of love and jealousy.
  • Features a protagonist who deviates from her expected path.
  • Highlights a pivotal, violent event.
  • Emphasizes the consequences of extreme emotions.
People
Protagonist Woman· The central figure of the story, a 'preacher's daughter' who undergoes a dramatic transformation.Narrator Woman· A commentator providing narrative context and emotional framing.Man (brief appearance)· A male character involved in the conflict and bar scene.
Chapters▶
  1. 00:00When Faith Turns Fatal — Introduction to the protagonist and the central theme of faith turning fatal, hinting at violence.
  2. 00:09Walks on the Wild Side — The 'preacher's daughter' embraces a 'wild side', leading to conflict and arguments.
  3. 00:22Love Had a Price — Emotional turmoil, a breaking heart, and a fatal moment that irrevocably changes the story.
Scenes(31)▶
  1. 00:00Indoor, dimly lit roomA young woman in silhouette, illuminated by soft light, looking contemplative.
  2. 00:01Indoor, dressing areaThe same woman, smiling, holding a red and black corset.
  3. 00:02Indoor, dressing areaThe woman holding the corset, smiling, as the narrator speaks about jealousy.
  4. 00:05IndoorExtreme close-up of the woman's face, now distressed and worried.
  5. 00:06IndoorA hand holding a vintage revolver, dark and ominous.
  6. 00:07AbstractA blurry, abstract shot with red and dark tones, implying violence.
  7. 00:08AbstractA bright white flash, transitioning between scenes.
  8. 00:09IndoorA man's face in silhouette, looking up.
  9. 00:10IndoorThe protagonist's face in extreme close-up, looking intensely at someone, with a hint of a smile.
  10. 00:12Studio settingA woman with short hair and a blue turtleneck, speaking directly to the camera.
  11. 00:14IndoorClose-up of a man's eye, looking intently.
  12. 00:15IndoorBlurry shot of a physical struggle or confrontation.
  13. 00:16IndoorA hand reaching out, possibly in defense or attack.
  14. 00:17IndoorThe protagonist's profile, looking distressed and shouting.
  15. 00:20Studio settingThe woman with short hair and a blue turtleneck, speaking.
  16. 00:22IndoorClose-up of the protagonist's face, looking disgusted or upset.
  17. 00:23BarTwo people (man and woman) sitting at a dark bar, talking.
  18. 00:24Studio settingThe woman with short hair and a blue turtleneck, speaking about a 'breaking heart'.
  19. 00:26IndoorBlurry close-up of the protagonist's distressed face, possibly crying.
  20. 00:28Studio settingThe woman with short hair and a blue turtleneck, speaking about unfortunate events.
  21. 00:30IndoorThe protagonist holding a gun, looking down with a determined expression.
  22. 00:31IndoorExtreme close-up of the revolver being cocked.
  23. 00:32IndoorThe protagonist holding the gun, looking down, as it fires.
  24. 00:33IndoorThe protagonist smiling, holding a drink, with a complex expression.
  25. 00:34IndoorThe protagonist smiling, holding a drink, as text 'In her world' appears.
  26. 00:35IndoorThe protagonist crying or in distress, lying down.
  27. 00:36IndoorThe protagonist crying or in distress, lying down, as text 'Love had a price' appears.
  28. 00:37IndoorThe protagonist holding the gun, pointing it forward with a determined expression.
  29. 00:38IndoorExtreme close-up of the revolver being cocked.
  30. 00:39AbstractBlack screen with text 'changes the whole story'.
  31. 00:40AbstractBlack screen, fading to end.
“Most people can feel a little jealous at times.”
“But it's never an excuse to kill.”
Transcript ▾
00:03Most people can feel a little jealous at times.
00:06But it's never an excuse.
00:08To kill.
00:14Bullets and guns must have aroused her.
00:17Ow!
00:18Dare you!
00:19Hey! Hey!
00:20They argued about it for two days.
00:25Her heart was breaking.
00:29And that was very unfortunate.
When faithturns fatalIt's neveran excuseto killA preacher's daughterWalks on the wild sideHer heart was breakingVery unfortunateIn her worldLove had a priceAnd one fatal momentchanges the whole story
Good Girl Bad Lovedramathrillercrime
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Episode 2: Deadly_Women_S13E07B_epis02

1:35Intriguing, Mysterious, DramaticTV-14
Deadly_Women_S13E07B_epis02

This video introduces the true story of Marie Arthur, an 18-year-old married woman in 1905 Topeka, Kansas, who, despite her upbringing as a preacher's daughter, possesses a rebellious spirit. Dissatisfied with the conventional life of meal planning and babies, she ventures into a liquor store, a place considered taboo for women. There, she encounters Frank Broadway Jones, a 33-year-old dashing divorcee and bartender. The narrative highlights the societal disapproval of their relationship, particularly from Marie's family, setting the stage for a dramatic and forbidden love story, with insights from an FBI profiler and a crime historian.

  • Marie Arthur, an 18-year-old preacher's daughter, sought adventure beyond her conventional marriage.
  • She found a forbidden connection with Frank Broadway Jones, a bartender and divorcee.
  • Their relationship defied societal norms and family expectations in 1905 Topeka, Kansas.
  • The story explores themes of rebellion, societal constraints, and forbidden love.
People
Marie Arthur· The 18-year-old married preacher's daughter who seeks adventure and defies societal norms.Frank Broadway Jones· The 33-year-old dashing divorcee and bartender who attracts Marie.Candice DeLong· Former FBI Profiler, providing expert commentary.Joan Renner· Crime Historian, providing historical context.
Chapters▶
  1. 00:00The Preacher's Daughter — Introduction to Marie Arthur, her rebellious spirit, and the societal context of 1905 Topeka, Kansas.
  2. 00:37Societal Expectations & Defiance — Expert commentary on Marie's defiance of traditional expectations and her bold declaration.
  3. 00:50The Bartender & The Good Stuff — Introduction to Frank Broadway Jones, the bartender, and the beginning of their forbidden connection.
  4. 01:13Forbidden Love & Its Consequences — Expert commentary on the scandalous nature of their relationship, culminating in an intimate, dramatic moment.
Scenes(14)▶
  1. 00:00Dimly lit bar interiorA mysterious, candlelit bar interior. A woman (Marie) walks behind the bar, obscured.
  2. 00:07Bar interiorClose-up profile of Marie Arthur, looking up contemplatively, as narration introduces her.
  3. 00:13Bar interiorA hand touches a bottle of 'JOHN FAULK' whiskey, emphasizing the forbidden nature.
  4. 00:17Bar interiorMarie's back to the camera, then another profile shot, reinforcing her rebellious spirit.
  5. 00:23Bar interiorThe bartender (Frank) appears, looking serious, as Marie is introduced as a rebel.
  6. 00:29Bar interiorMarie and Frank interact, Marie boldly asks for a drink, challenging the bartender.
  7. 00:37Interview settingCandice DeLong, Former FBI Profiler, provides commentary on Marie's character.
  8. 00:43Bar interiorMarie's defiant declaration 'I'm no lady' to Frank, with a confident smile.
  9. 00:50Interview settingJoan Renner, Crime Historian, provides context on women's roles in that era.
  10. 00:55Bar interiorFrank's suggestive offer of 'the good stuff' and pouring a drink for Marie.
  11. 01:07Bar interiorMarie's eager and anticipatory reaction, smiling at Frank.
  12. 01:13Bar interiorFrank drinks from the glass, looking intensely at the camera, then at Marie.
  13. 01:21Interview settingCandice DeLong provides more background on Frank Broadway Jones.
  14. 01:26Bar interiorFrank asks Marie to dance, leading to an intimate, dramatic embrace.
“A woman in a liquor store is like a man in a nursery.”
“I'm no lady.”
Transcript ▾
00:06In Topeka, Kansas, in 1905, a woman in a liquor store is like a man in a nursery.
00:13Forbidden.
00:1718-year-old Marie Arthur is already married, but this daughter of a preacher has the soul of a rebel.
00:29Lady, you lost?
00:31Um, I want to order a drink.
00:35She was raised to be a good upstanding wife. She wasn't married too long before she kind of decided married life wasn't for her.
00:44I can't serve no lady.
00:46I assure you, I'm no lady.
00:50All she had to look forward to in her mind was meal planning and and babies.
00:55All right, then, what do you have in?
00:57What do you recommend?
01:01I'll say, how about some of the good stuff?
01:0433-year-old Frank Broadway Jones is just the kind of adventure Marie is looking for.
01:13Marie hooked up with the last person in the world her family would have approved of.
01:19A bartender.
01:20Frank Broadway Jones was described as a dashing divorcee, so he had a marriage behind him as well.
01:26Do you dance?
01:29Do now.
CANDICE DELONG Former FBI ProfilerJOAN RENNER Crime Historian
Good Girl Bad LoveMarie ArthurFrank Broadway JonesTrue Crime
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Episode 3: Deadly_Women_S13E07B_epis03

1:12Mysterious, dramatic, tense, intriguingPG-13
Deadly_Women_S13E07B_epis03

The video introduces a couple, Marie and Frank, seemingly in a difficult financial situation. Frank, despite being a 'fantastic lover,' is not a 'great provider.' Marie expresses frustration about not being able to pay rent and then, with a shift in demeanor, declares it's time she made some money. She then approaches another woman, asking about the 'kind of work you do,' implying she's looking to enter a potentially illicit or morally ambiguous profession. The overall tone suggests a dramatic turn for Marie, driven by desperation and a desire for financial independence.

  • Marie is dissatisfied with her current financial situation and her partner's inability to provide.
  • She decides to take matters into her own hands to earn money, hinting at a morally ambiguous path.
  • The narrative sets up a dramatic shift in Marie's character and circumstances, moving from distress to cunning determination.
  • The video explores themes of financial struggle, desperation, and female agency in a period setting.
People
Marie (Speaker_D)· Main protagonist, initially distressed, then determined to find a new source of income.Frank (Speaker_B)· Marie's lover, struggling financially and unable to provide.Narrator (Speaker_A)· Voiceover providing exposition and commentary on the characters' situations.Bartender (Speaker_C)· Minor character, serving drinks in the bar.Woman in Pink (Speaker_E)· A woman Marie approaches to inquire about 'work'.
Chapters▶
  1. 00:00The Lover Skipped Town — Introduction to the couple's initial romance and the narrator's ominous foreshadowing of their troubles.
  2. 00:17A Great Provider? — Frank's financial struggles are revealed, leading to Marie's growing desperation and concern about their inability to pay rent.
  3. 00:39Time to Make Money — Marie decides to take matters into her own hands, seeking out a new, ambiguous 'work' opportunity, signaling a dramatic shift in her character.
Scenes(8)▶
  1. 00:00Dark, intimate interiorAn intimate moment between a man and a woman, followed by a narrator introducing the man's departure.
  2. 00:03City street/MarqueeA montage of vibrant, blurred neon lights, suggesting a city environment and a change of pace.
  3. 00:12Dark interiorMarie, dressed in period attire, looks somber and contemplative as the narrator speaks of lost dreams.
  4. 00:17Bar/SaloonFrank expresses his lack of work, while a bartender is seen in the background.
  5. 00:22Bar/SaloonThe narrator contrasts Frank's qualities as a lover with his inability to provide, as Marie listens with a pained expression.
  6. 00:29Bar/SaloonFrank is defeated, and Marie voices her concern about not being able to pay rent.
  7. 00:34Bar/SaloonFrank shows the meager amount of money they have, leading to Marie's determined declaration to make her own money.
  8. 00:47Bar/SaloonThe narrator states Marie's resolve, and Marie approaches another woman, inquiring about 'work' with a knowing smile, ending on a cliffhanger.
“The lover skipped town.”
“Frank's a fantastic lover.”
Transcript ▾
00:01The lover skipped town.
00:06and moved to the action of Salt Lake City.
00:13But the stars in their eyes soon turned to black holes.
00:17So we sure we got no work for me at all?
00:20You want something?
00:23Frank's a fantastic lover.
00:25Alright. Thanks anyway.
00:26But not a great provider.
00:29So he's got no work for another week.
00:32We won't be able to pay the rent.
00:35Nope.
00:38That is all we got.
00:40Oh, Johnny.
00:42I'll have my regular.
00:44Maybe it's time I made some money.
00:49Marie's not one to let fate drive her fortune.
00:53Sorry to bother you.
00:55I'm looking for some work.
00:57Oh, what kind of work?
00:59Well, the kind that you do.
01:01Oh, what kind of work I do?
01:04Yes, I'm...
01:05How do I get started?
01:06Oh, well, I can tell you all about that.
01:08Heh heh heh.
HOTEL
Period dramaCrimeThrillerHistorical fiction
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Episode 4: Deadly_Women_S13E07B_epis04

1:19Melancholic, somber, dramatic, tenseTV-14 / PG-13 (for mature thematic elements, suggestive content, and implied sexual themes)
Deadly_Women_S13E07B_epis04

This video introduces the dramatic premise of 'Good Girl, Bad Love,' set in the early 20th century. It follows Marie, a woman who finds herself in a desperate situation when her partner, Frank, cannot provide for them. Forced to seek employment, Marie enters the 'world's oldest profession' in a mining community, a decision highlighted by a former FBI profiler's commentary. The narrative explores the limited options available to women during that era and the personal sacrifices made for survival, culminating in a tense confrontation where Marie's choices are questioned.

  • The video explores the limited economic opportunities for women in the early 1900s.
  • It highlights the difficult choices individuals, particularly women, had to make for survival.
  • The narrative suggests themes of societal judgment, personal agency, and the complexities of relationships under duress.
  • The presence of an FBI profiler implies a true crime or historical analysis angle to the story.
People
Marie· Protagonist, a woman making difficult choices for survival.Frank· Marie's partner, unable to provide, later judgmental.Candice DeLong· Former FBI Profiler, providing expert commentary and historical context.
Chapters▶
  1. 00:00Marie's Dilemma — Introduction to Marie's situation and Frank's inability to provide, setting up Marie's need for income.
  2. 00:10Historical Context: Women's Work — Introduction of Candice DeLong, former FBI profiler, providing historical context on women's limited earning opportunities.
  3. 00:21A Difficult Choice — Marie and Frank's interaction, hinting at their relationship and the choices Marie is making, with further narration on the 'oldest profession'.
  4. 00:34Servicing the Miners — Narration explicitly discusses the role of women in mining communities and Marie's decision to 'service the miners'.
  5. 00:53The Price of Survival — Marie's transformation and a final, tense exchange with Frank, revealing his cynical view of her new profession.
Scenes(13)▶
  1. 00:00Dimly lit indoor setting, possibly a bar or private room.Marie laughs while holding a drink, then sips it, with a voiceover about Frank's inability to provide.
  2. 00:04Dimly lit indoor setting, matching previous scene.Frank looks serious and then turns away, as the narration continues about Marie needing a job.
  3. 00:10Studio setting with a blue background.Candice DeLong, former FBI profiler, speaks directly to the camera, providing context.
  4. 00:13Desert or prairie landscape with distant mountains.A wide shot of a vast, desolate landscape under a cloudy sky, emphasizing the harsh environment.
  5. 00:19Outdoor patio or porch, lush green background.Frank sits at a table, then smiles, as Marie approaches him.
  6. 00:24Outdoor patio or porch.Marie and Frank interact playfully, with Marie asking if he's ready, and the narration mentioning the 'oldest profession'.
  7. 00:30Outdoor patio or porch.Quick cuts of Frank and Marie, then a close-up of Marie's hand on Frank's neck, suggesting intimacy.
  8. 00:34Darkened indoor room.A vintage lamp is shown, then Marie and Frank in silhouette, moving closer.
  9. 00:37Darkened indoor room.Marie and Frank in silhouette, then a close-up of Marie's face, as she says 'no money, no kiss' and the narrator explains women's roles in mining communities.
  10. 00:49Studio setting with a blue background.Candice DeLong returns, emphasizing Marie's decision to 'service the miners'.
  11. 00:53Darkened indoor room, then studio.Marie and Frank in silhouette, then a close-up of Marie smiling, followed by Candice DeLong commenting on Marie's bravery.
  12. 01:02Ambiguous, dark indoor setting.Abstract light flares and close-ups of Marie's face and hands, suggesting a transition or internal conflict.
  13. 01:08Period bedroom setting.Marie in a corset, looking confident, then Frank's reaction and his cynical comment about a 'prostitute'.
“It wasn't long before Marie realized she couldn't count on Frank to bring home the bacon.”
“There's limited ways for a woman to earn money in the early 1900s. Aside from the world's oldest profession.”
Transcript ▾
00:01It wasn't long before Marie realized she couldn't count on Frank to bring home the bacon.
00:08So Marie decides to get a job on her own, and she gets a pretty high paying one.
00:16There's limited ways for a woman to earn money in the early 1900s.
00:21Yes, my girl.
00:25Hi, how are you doing?
00:27Are you ready?
00:28Oh, yeah.
00:29Aside from the world's oldest profession.
00:34There's a lot of mining communities around Salt Lake.
00:39No money, no kiss.
00:41There's only one thing a young woman does in a mining community if she's not married to one of the miners.
00:49And it's servicing the miners.
00:53She did what she felt she needed to do, and, you know, and she was brave in her, really.
01:11What do you think? Too much?
01:14For a prostitute? No such thing.
CANDICE DELONGFormer FBI Profiler
Good Girl Bad LoveHistorical DramaTrue Crime1900s
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Episode 5: Deadly_Women_S13E07B_epis05

1:05Intriguing, dramatic, suspenseful, mysteriousTV-14 (for mature thematic elements, suggestive content, and discussions of crime/relationships)
Deadly_Women_S13E07B_epis05

This trailer for 'Good Girl, Bad Love' introduces a woman, Marie, whose new career takes her 'out of town,' a situation her partner, Frank, is not 'wild about.' Expert commentary from a crime historian and a former FBI profiler frames Marie's ability to maintain a steady relationship while also engaging in activities that are 'strictly business' and where 'everything else is for sale.' The narrative hints at a dual life for Marie, suggesting she can 'have her cake and eat it too,' while also revealing that Frank finds 'other opportunities' during their time apart, creating a web of intrigue, potential infidelity, and moral ambiguity within their relationship.

  • Marie maintains a complex relationship with Frank, characterized by secrets and separate lives.
  • Marie's new career involves activities 'out of town' that cause tension with Frank.
  • The relationship operates on an 'uneasy understanding,' with Marie stating 'everything else is for sale.'
  • Expert commentary highlights Marie's ability to balance her relationship with a 'dashing guy' and her lucrative, independent ventures.
  • Frank also explores 'other opportunities' when he and Marie are apart, suggesting mutual infidelity or a breakdown of trust.
People
Frank· Male lead, Marie's partner, appears pensive and later confident/smug, exploring 'other opportunities'.Marie· Female lead, Frank's partner, has a new career, described as 'strictly business' and able to 'have her cake and eat it too'.Joan Renner· Crime Historian, providing expert commentary on the relationship dynamics.Candice DeLong· Former FBI Profiler, providing expert commentary on Marie's character and choices.Woman with Marie· Companion of Marie during a social scene, laughing.
Chapters▶
  1. 00:00The Uneasy Understanding — Introduction to Frank and Marie's relationship, Marie's 'strictly business' approach, and their 'uneasy understanding.'
  2. 00:29A New Career and Dual Life — Marie's new career and dual life, with expert commentary on her ability to 'have her cake and eat it too.'
  3. 00:51Frank's Other Opportunities — Frank's 'other opportunities' and the introduction of another woman, hinting at further complications.
Scenes(10)▶
  1. 00:00Indoor, dimly lit roomClose-up of Frank's pensive, shadowed face as a voiceover discusses his disapproval.
  2. 00:02Interview settingJoan Renner, Crime Historian, speaks directly to the camera about Frank's significant other.
  3. 00:06Indoor, dimly lit roomReturn to Frank's pensive, shadowed face, emphasizing his internal conflict.
  4. 00:09Indoor, dimly lit roomMarie speaks playfully and seductively, declaring her heart belongs to Frank but her business is separate.
  5. 00:15Indoor, dimly lit roomFrank looks down, then up, with a complex expression, reacting to Marie's words.
  6. 00:18Indoor, bedroom or private settingMarie and Frank share an intimate moment, embracing and kissing, while a voiceover mentions their 'uneasy understanding' and Marie's 'everything else is for sale' line.
  7. 00:29Outdoor, skyA symbolic shot of a sunset over clouds, transitioning between narrative segments.
  8. 00:33Indoor, social settingMarie drinks and laughs with another woman, appearing carefree and enjoying her new life.
  9. 00:39Interview settingCandice DeLong, Former FBI Profiler, comments on Marie's ability to 'have her cake and eat it too.'
  10. 00:51Indoor, dimly lit roomFrank adjusts his bow tie, looking confident, followed by a shot of another woman, implying Frank's 'other opportunities.'
“Frank isn't wild about the woman in his life, his significant other doing that.”
“Now you know that this is strictly business. My heart belongs to you.”
Transcript ▾
00:00Frank isn't wild about the woman in his life, his significant other doing that. But he doesn't have to see it because she's doing it out of town. It's not in his face.
00:12Now you know that this is strictly business. My heart belongs to you.
00:22But everything else is for sale.
00:24Oh.
00:27The couple comes to an uneasy understanding as Marie takes to her new career.
00:34Oh, that last one was so bad. I thought he was going to squash me.
00:39She's able to kind of have her cake and eat it too, right? She has the steady relationship with a dashing guy and also gets to have fun in my name towns and make probably a lot more money than Frank was making.
00:56But the time spent apart gives Frank other opportunities.
01:01God, I missed you.
01:03Missed you too.
JOAN RENNER Crime HistorianCANDICE DELONG Former FBI Profiler
Good Girl Bad Lovedramathrillercrime
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Episode 6: Deadly_Women_S13E07B_epis06

1:20Suspenseful, dramatic, tense, emotionalTV-14
Deadly_Women_S13E07B_epis06

The video, titled 'Good Girl, Bad Love,' explores themes of infidelity and betrayal. A narrator describes a man named Frank who finds new love, while his partner, Marie, is portrayed as being intimate with multiple men. The narrative then shifts to Marie's emotional distress upon learning of Frank's unfaithfulness, culminating in a tense conversation where another woman reveals she witnessed Frank kissing someone else. The video uses dramatic close-ups and a somber tone to convey the emotional weight of the situation.

  • Infidelity can lead to profound emotional distress and betrayal.
  • Perceptions of faithfulness can differ significantly between partners.
  • Gossip and external observations can expose hidden truths in relationships.
People
Marie· Protagonist, Frank's partner, betrayed woman.Frank· Marie's unfaithful partner.Mae Dunbar· Frank's new love interest.Narrator· Storyteller, commentator.Witness· Friend/acquaintance who reveals Frank's infidelity to Marie.
Chapters▶
  1. 00:00Frank's New Love — Introduction to Frank's new love and the beginning of the conflict.
  2. 00:05Perceptions of Faithfulness — The narrator's commentary on Frank and Marie's perceived faithfulness, highlighting hypocrisy and the spread of gossip.
  3. 00:47The Revelation — Marie's emotional reaction and the revelation of Frank's infidelity by a witness.
Scenes(10)▶
  1. 00:00BedroomA woman (Marie) lies in bed, looking thoughtful, as the narrator begins the story.
  2. 00:00Studio/Neutral backgroundThe narrator delivers a dramatic line about Frank meeting someone else.
  3. 00:05BedroomIntimate moments between Frank and Mae, with soft moans.
  4. 00:09Studio/Neutral backgroundThe narrator comments on Frank falling in love.
  5. 00:10BedroomMore intimate moments between Frank and Mae, with the narrator's voiceover.
  6. 00:20Studio/Neutral backgroundThe narrator discusses Frank's perception of his own faithfulness compared to Marie's.
  7. 00:28BedroomClose-ups of Marie and Frank in bed, illustrating the narrator's commentary on their respective infidelities.
  8. 00:34Studio/Neutral backgroundThe narrator emphasizes Frank's singular infidelity.
  9. 00:37BedroomBlack and white close-ups of Frank and Marie, as the narrator speaks about gossip spreading.
  10. 00:46Dark, intimate setting (bar/restaurant)Marie and another woman (the witness) discuss Frank's infidelity, leading to Marie's emotional breakdown.
“The day would come when Frank met someone else.”
“What is good for the goose is good for the gander.”
Transcript ▾
00:00The day would come when Frank met someone else.
00:05(soft moans/sighs)
00:09And he fell in love.
00:11(soft moans/sighs)
00:15He doesn't have to share his new love, Mae Dunbar, with anyone else.
00:21And in Frank's mind, he's still being more faithful than Marie.
00:28Marie is being intimate with many men during the week.
00:35And Frank was just being intimate with one woman.
00:37What is good for the goose is good for the gander, at least until gossip starts spreading around town.
00:47What's wrong?
00:53He was with another woman.
00:58What woman?
01:02Marie is very upset when she finds out that Frank's being unfaithful.
01:07I saw them on the other side of the street and then they walked up to each other and they kissed. It looked like they were together.
InfidelityBetrayalDramaRelationships
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Episode 7: Deadly_Women_S13E07B_epis07

Premium
1:17Tense, dramatic, emotional, somberTV-14 (for mature thematic elements and intense emotional conflict)
Deadly_Women_S13E07B_epis07

The video intercuts a heated argument between a man and a woman, where the woman accuses the man of two-timing her, with commentary from two crime historians. The historians discuss the man's perspective of being caught and the woman's emotional devastation, highlighting the different motivations and impacts of their actions. The woman demands a promise from the man to never see the other person again, ending with a powerful close-up of her tearful eye, symbolizing profound heartbreak.

  • Infidelity leads to intense emotional confrontation and accusations.
  • Different perspectives exist on the motivations behind and consequences of betrayal.
  • The emotional pain and broken trust are central themes, leading to a heartbreaking conclusion.
People
Man (Speaker_A)· Accused partner, protagonist in the dramatic scenes.Woman (Speaker_B)· Accusing partner, protagonist in the dramatic scenes, experiencing heartbreak.Joan Renner (Speaker_C)· Crime Historian, providing expert commentary and analysis.Female Expert 2 (Speaker_D)· Expert commentator, providing psychological insights into the relationship.
Chapters▶
  1. 00:00Confrontation and Accusations — A man and woman engage in a heated argument about infidelity, with the woman accusing the man and the man making a counter-accusation.
  2. 00:20Expert Commentary on Motivations — A crime historian provides commentary on the man's perspective and the dynamics of the situation.
  3. 00:29Demands and Promises — The man apologizes, and the woman demands a promise that he will never see the other person again, which he reluctantly gives.
  4. 01:00Emotional Aftermath and Reflection — Further expert commentary on the emotional impact of the betrayal, concluding with a close-up of the woman's tearful eye.
JOAN RENNERCrime Historian
Good Girl Bad Loveinfidelitybetrayalrelationship drama

Episode 8: Deadly_Women_S13E07B_epis08

Premium
1:44Tense, dramatic, suspenseful, forebodingTV-14 (for mature thematic elements, intense drama, and implied violence)
Deadly_Women_S13E07B_epis08

The video opens in 1914 Salt Lake City, Utah, introducing Frank and Marie, who are attempting to reconcile after Frank's affair with May Dunbar. Their intimate dinner is interrupted by the unexpected appearance of May. A crime historian explains that Frank's subtle acknowledgment of May reignites Marie's suppressed pain. A former FBI profiler notes that this encounter brought Marie's emotional turmoil "front and center." The tension escalates as Marie confronts Frank about his infidelity, and he retaliates by questioning her past relationships. The scene culminates with Marie retrieving a gun, foreshadowing a violent and tragic end to their dissolved reconciliation.

  • An affair in 1914 Salt Lake City leads to a strained attempt at reconciliation between Frank and Marie.
  • A chance encounter with Frank's mistress, May Dunbar, reignites Marie's deep-seated pain and resentment.
  • The couple's confrontation escalates into heated accusations and counter-accusations.
  • The presence of a gun and Marie's actions suggest a violent and tragic outcome to their relationship.
People
Frank· Marie's partner, who had an affair with May Dunbar.Marie· Frank's partner, deeply affected by his affair and seeking reconciliation.May Dunbar· Frank's mistress, whose unexpected appearance reignites conflict.Joan Renner· Crime Historian, providing narrative context and analysis.Candice DeLong· Former FBI Profiler, providing psychological insights.
Chapters▶
  1. 00:00A Troubled Reconciliation in 1914 — Introduction to the historical setting and the strained relationship between Frank and Marie, attempting reconciliation after an affair.
  2. 00:15The Chance Encounter — The unexpected appearance of May Dunbar at Frank and Marie's dinner, reigniting Marie's pain and leading to expert commentary on the psychological impact.
  3. 00:56Resentments Resurface — Marie's intuition and the escalating argument between her and Frank, as old resentments resurface and their reconciliation dissolves.
  4. 01:34The Tragic Climax — Expert commentary on the presence of a gun, followed by Marie retrieving it, indicating a violent and tragic climax.
SALT LAKECITYUTAHJOAN RENNERCrime HistorianCANDICE DELONGFormer FBI Profiler
Historical dramacrimeaffairbetrayal

Episode 9: Deadly_Women_S13E07B_epis09

Premium
1:18Intense, dramatic, suspenseful, tragicTV-14
Deadly_Women_S13E07B_epis09

This video, a trailer for "Good Girl, Bad Love," depicts a harrowing sequence of events where a woman shoots her male partner multiple times, causing his death. Overwhelmed by the act, she then turns the gun on herself in a desperate suicide attempt. The dramatic reenactments are interspersed with commentary from a former FBI profiler, Candice DeLong, who analyzes the woman's actions, particularly her suicide attempt, as a genuine act of self-destruction rather than a cry for help, driven by profound grief and the realization of her actions. The narrative explores themes of love, violence, guilt, and the psychological aftermath of a tragic crime.

  • A woman shoots her partner, leading to his death.
  • Overcome by guilt, she attempts suicide.
  • Expert analysis suggests her suicide attempt was genuine, driven by grief.
  • The video explores the dark consequences of a passionate, violent act.
People
Woman (Protagonist)· The central figure, who commits murder and attempts suicide.Man (Victim)· The victim of the shooting, and the woman's lover.Candice DeLong· Former FBI Profiler providing expert analysis.Speaker_D· Another profiler or expert providing commentary.
Chapters▶
  1. 00:00The Fatal Shot — The initial act of violence, a woman aiming and firing a gun at a man.
  2. 00:10Profiler's Insight: The First Shots — Introduction of the FBI profiler and initial analysis of the shooting.
  3. 00:22Overcome by Guilt — The woman's emotional breakdown and her subsequent suicide attempt.
  4. 00:41The Weight of Grief — Further expert analysis on grief and the immediate aftermath, interspersed with fragmented dramatic shots.
  5. 00:58Final Despair — A confrontation and the profiler's definitive statement on the suicide attempt, ending with the woman's tragic state.
CANDICE DELONGFormer FBI Profiler
Good Girl Bad LoveTrue CrimeMurderSuicide Attempt

Episode 10: Deadly_Women_S13E07B_epis10

Premium
1:44Serious, dramatic, somber, investigativeTV-14
Deadly_Women_S13E07B_epis10

The video explores the historical case of Marie Arthur, who was involved in a fatal incident. Despite her initial plea of not guilty to first-degree murder, she was eventually convicted of involuntary manslaughter and served only four months on parole. The narrative highlights how her suicide attempt made her a sympathetic figure, contrasting this with how men might be treated. It questions the historical leniency granted to female killers compared to men, and how such a case would be handled today, ultimately revealing the complex interplay of gender, sympathy, and justice in the early 20th century.

  • Marie Arthur received a lenient sentence for involuntary manslaughter in 1914.
  • Her suicide attempt influenced the perception of her as a sympathetic figure in court.
  • The case raises questions about historical gender bias in the justice system.
  • Modern legal outcomes for similar cases would be significantly harsher.
  • Marie Arthur lived to 61, dying of natural causes, despite her past crime.
People
Marie Arthur (Re-enactment Actress)· The central figure of the true crime story, depicted in re-enactments.Speaker_A (Red-haired Woman)· An expert commentator providing narrative and analysis.Speaker_B (Woman with Glasses)· An expert commentator providing legal details.Speaker_C (Woman with Short Dark Hair)· An expert commentator providing analytical insights.Man (Re-enactment Actor)· Implied victim or 'man she loved' in re-enactments.
Chapters▶
  1. 00:00The Unlikely Survivor — Introduction to Marie Arthur's case and the initial shocking premise.
  2. 00:10The Legal Plea — Details of Marie's legal plea and the charge of involuntary manslaughter.
  3. 00:20Sympathy and Leniency — Exploration of Marie's suicide attempt and its impact on the judge's decision, highlighting historical gender bias.
  4. 00:37Four Months to Freedom — The surprisingly short sentence Marie received and her subsequent freedom.
  5. 00:56Marie's Unexpected Longevity — Marie Arthur's long life and natural death, contrasting with the severity of her crime.
  6. 01:04Justice Then vs. Now — Comparison of historical justice with modern legal standards and the emotional impact of Marie's actions.
  7. 01:31The Legacy of Marie Arthur — Final dramatic visuals and title card, emphasizing the historical context.
MARIE ARTHUR1914
True CrimeMarie ArthurInvoluntary ManslaughterJustice System

Episode 11: Deadly_Women_S13E07B_epis11

0:33Somber, MysteriousG
Deadly_Women_S13E07B_epis11

This segment serves as the end credits for the television series 'Good Girl, Bad Love.' It features a continuous vertical scroll of white text, detailing the names and roles of the narrator, producers, directors, editors, researchers, camera crew, sound engineers, production managers, and other key personnel. The visual backdrop is a dark, out-of-focus scene, suggestive of an overgrown or derelict outdoor location, possibly a graveyard or ruins, which contributes to a mysterious and serious atmosphere. The credits also acknowledge stock footage providers and copyright information, concluding with the 'Beyond Distribution' logo.

  • Comprehensive listing of all production and creative personnel for 'Good Girl, Bad Love.'
  • Features a dark, atmospheric visual style with a blurred, somber background.
  • Includes acknowledgments for stock footage and copyright details.
  • Concludes with the 'Beyond Distribution' logo.
People
LYNNANNE ZAGER· NarratorMARIE MOHR· Series ProducerLINCOLN HOWES· Supervising Post ProducerANDREA O'REILLY· Post ProducerDAVE WALLACE· Recreations Director
Chapters▶
  1. 00:00End Credits — The entire video consists of the end credits for 'Good Girl, Bad Love,' listing all production personnel and concluding with the Beyond Distribution logo.
Scenes(1)▶
  1. 00:00Ambiguous, blurred outdoor setting (possibly graveyard or ruins).The scene displays the full production credits for 'Good Girl, Bad Love' scrolling vertically over a dark, blurred background, accompanied by somber instrumental music. The sequence culminates with the reveal of the 'Beyond Distribution' logo.
Narrator LYNNANNE ZAGERSeries Producer MARIE MOHRSupervising Post Producer LINCOLN HOWESPost Producer ANDREA O'REILLYRecreations Directors DAVE WALLACE KATIE RYERSON LEONIE BLIGNAUTRecreations DOP GEOFF THOMAS1st Assistant Director BLAKE DUBLEREditor GEOFF WILLMANField Producer CATHERINE LEDINGHAMResearchers CHAMBERLAIN STAUB MELANIE SAUER ALICIA WENMANCamera ROD POLLARD GEOFF THOMASSound MATTHEW CLARKE BRONSON WILSONProduction Managers KATIE CATTELL EMMA CRAYFOURDProduction Co-ordinator RUTH ARUNDELLUnit Manager JO PARKINSONLocations Co-ordinator NICOLE LOBEGEIGERCasting Co-ordinator KATE ENGLEFIELDArt Director ARA NURI STEELStand By Props COURTNEY WESTBROOKWardrobe Design RACHEL GIUFFREMake-up and Hair HELEN TUCKCamera Assistant RHYS LUSCOMBEEdit Assistant JO MACKELLARMusic BEATBOX MUSICAudio Post NATHAN BRANDOnline Editor MICHAEL GRAHAMPost Production SHANE GRACE AMBAR SIDHWANI ANTHONY TOYProduction Accountant MAHAN SHRESTHAStock Footage Supplied by POND5.COMFor Beyond Productions VP Production: Operations and Business CAROLINE AUDCENT Legal and Business Affairs MARCUS FOWLER RANA AL-SHIBLY SVP Production: Operations and Business JENNY O'SHEA SVP Development: Factual ANITA BEZJAK SVP Production: Content GEOFF FITZPATRICK Executive Producer and EVP JOHN LUSCOMBE For Investigation Discovery Executive Producer KEILA WOODARD Coordinating Producer LAMAR SMITH Sr. Vice President, Production SARA KOZAK General Manager KEVIN BENNETT Group President HENRY SCHLEIFF Produced by Beyond Productions for Investigation Discovery © Beyond Entertainment Limited 2019BEYOND DISTRIBUTION
Good Girl Bad Lovecreditsproduction teamdocumentary
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Questions Viewers Ask

  • QWhat happens when faith turns fatal?
  • QCan a preacher's daughter truly walk on the wild side?
  • QWhat price will she pay for love?
  • QHow does one fatal moment change everything?
  • QIs jealousy ever an excuse for murder?
  • QWhat happens when a preacher's daughter defies every expectation for love?
  • QCan forbidden love truly thrive in a world of strict rules and judgment?
  • QIn 1905, how far would a woman go to find her own adventure and escape a conventional life?
  • QWhat secrets lie behind the 'good girl' facade when passion ignites?
  • QWhat kind of 'work' is Marie getting into?
  • QWill Marie find success, or will her new path lead to danger?
  • QCan love survive when money runs out?
  • QHow far would you go to escape financial desperation?
  • QWhat secrets lie beneath the glamorous facade of the city?
  • QWhat would you do to survive when love isn't enough?
  • QHow far would you go to protect your future in a world that offers no choices?
  • QCan a 'good girl' find love in the 'bad' choices she's forced to make?
  • QIn the harsh realities of the early 1900s, what was the true cost of a woman's independence?
  • QWhen society judges, who truly pays the price?
  • QCan love survive when everything else is for sale?
  • QWhat secrets lie beneath an 'uneasy understanding'?
  • QWhen she's out of town, what opportunities arise for him?
  • QIs it possible to have it all, or will secrets tear them apart?
  • QHow far would you go for love, and for ambition?
  • QWhat happens when love turns into betrayal?
  • QCan a relationship survive when both partners are unfaithful?
  • QWho is the 'good girl' and who is the 'bad love'?
  • QHow far would you go to uncover the truth about your partner?
  • QCan a broken promise ever truly mend a shattered heart?
  • QWhose side are you on when both partners have secrets?
  • QHow far would you go to save a relationship, or yourself, from the ultimate betrayal?
  • QCan a relationship truly recover from betrayal, or is some damage irreparable?
  • QWhat happens when past affairs refuse to stay buried and confront you head-on?
  • QHow far would a woman go when pushed to her emotional limits by infidelity and deceit?
  • QIn 1914 Salt Lake City, love and resentment collide. What was the tragic outcome of Frank and Marie's reconciliation attempt?
  • QWhat drives a person to such a desperate act?
  • QWas it a crime of passion, or something darker?
  • QCan true love turn into fatal obsession?
  • QWhat happens when guilt becomes unbearable?
  • QWas her suicide attempt a cry for help, or a genuine desire to end it all?
  • QHow did Marie Arthur escape a death sentence for murder in 1914?
  • QDid gender bias truly influence justice in the early 20th century?
  • QWhat happens when a suicide attempt becomes a legal defense?
  • QCould a case like Marie Arthur's receive such a lenient sentence today?
  • QWho was the 'man she loved' and what was his fate?
About

Marie was raised to be a good girl. Instead, she falls for the wrong man and dives headfirst into a wild, reckless love. Problem is, her lover isn't much of a provider, and Marie starts earning big bucks working in the oldest profession in the world. Eventually, jealousy will make one of them lose control.

betrayaltoxic lovetrue crime
Featured People
Protagonist WomanNarrator WomanMan (brief appearance)Marie ArthurFrank Broadway JonesCandice DeLongJoan RennerMarie (Speaker_D)Frank (Speaker_B)Narrator (Speaker_A)Bartender (Speaker_C)Woman in Pink (Speaker_E)MarieFrankWoman with MarieWoman with FrankMae DunbarNarratorWitnessMan (Speaker_A)Woman (Speaker_B)Joan Renner (Speaker_C)Female Expert 2 (Speaker_D)May DunbarWoman (Protagonist)Man (Victim)Speaker_DMarie Arthur (Re-enactment Actress)Speaker_A (Red-haired Woman)Speaker_B (Woman with Glasses)Speaker_C (Woman with Short Dark Hair)Man (Re-enactment Actor)LYNNANNE ZAGERMARIE MOHRLINCOLN HOWESANDREA O'REILLYDAVE WALLACEKATIE RYERSONLEONIE BLIGNAUTGEOFF THOMASBLAKE DUBLERGEOFF WILLMANCATHERINE LEDINGHAMCHAMBERLAIN STAUBMELANIE SAUERALICIA WENMANROD POLLARDMATTHEW CLARKEBRONSON WILSONKATIE CATTELLEMMA CRAYFOURDRUTH ARUNDELLJO PARKINSONNICOLE LOBEGEIGERKATE ENGLEFIELDARA NURI STEELCOURTNEY WESTBROOKRACHEL GIUFFREHELEN TUCKRHYS LUSCOMBEJO MACKELLARNATHAN BRANDMICHAEL GRAHAMSHANE GRACEAMBAR SIDHWANIANTHONY TOYMAHAN SHRESTHACAROLINE AUDCENTMARCUS FOWLERRANA AL-SHIBLYJENNY O'SHEAANITA BEZJAKGEOFF FITZPATRICKJOHN LUSCOMBEKEILA WOODARDLAMAR SMITHSARA KOZAKKEVIN BENNETTHENRY SCHLEIFF
Locations
IndoorBarTopeka, KansasBar/SaloonCity Street (implied)Indoor (period home)Outdoor (desert landscape)Indoor (various rooms)City (implied)BedroomStudioBar/RestaurantIndoor (domestic setting)Studio (interview setting)Salt Lake City, UtahRestaurantHistorical House InteriorInterview StudioInterview studioHistorical interior (implied courtroom/home)Outdoor, overgrown, possibly graveyard/ruins (blurred background)
Genre
DramaThrillerCrimeYoung AdultTrue crimeDocumentaryPeriod DramaHistorical DramaRomanceReality Dating

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